Dart
Lament: A Kaddish For My Mother In Three Parts
My mother's passing has left with with a hole in my spirit that needs to heal. The idea of creating and performing a rope experience to express the deep and heart-rending sadness and grief I feel kept coming up for me; I couldn't get it out of my head no matter how hard I tried. So I spent a couple of weeks working things out and making plans and deciding how to approach something I've never done: create art from grief.
Michele and two of my closest friends, Seraphin and Yin, witnessed for me and participated by taking these pictures using a remote shutter release on the camera. What I'm presenting here is unedited and unprocessed and tells the story of the Lament. Even though there was so much more that didn't end up on film, this gallery captures the essence of the ritual,
I had eight songs that helped me express the rage, grief and sadness I'm feeling. I tied rope around each participant and lit a candle in front of them. Michele anointed me with oil after I tore the shirt from my back. I twisted, turned, entwined, hung limply, inverted, swiveled, flipped, swung, cried, choked-up, trembled, tripped, floated and flew as I tied myself again and again. In the end, I was exhausted and wrung out. I called my mother's name, lit three candles to signify the transition I feel for birth, life/love and death and cried some more as I spoke about my mother and what she meant not only to me but to all the people whom she invited into her life.
I was, and am, still sad, angry and grieving but I didn't expect any of that to change. It was simply the right thing for me to have done.
This is a long, long road.
Dart is a Rope Dojo graduate and a friend whom we don't get to see nearly as often as we like, considering he lives up in Toronto. He's also a fantastic rope player. It was quite a surprise to him when I asked him if he'd like to tie me when he was down for a visit. Michele was going to shoot him with another friend of his and I wanted to work with him. He was taken aback because he'd never done rope "cross-orientationally" and didn't know how to approach it. My thinking was that we connect at the rope and we'd let our love for the rope experience guide our shoot.
What came out of it was amazing and I'm so glad we were able to capture it. The day was hot, the rope was hotter and we both soared.
Thanks, Dart and Michele.

Photography by Michele Serchuk
Jordan
Photography by Michele, Yin, Seraphin
Jordan's moved from the safety of the East Coast to the wilds of Los Angeles but she still has a place in my heart. It's been a while since we shot this set but I've been looking forward to being able to post it. Jordan's trust in me was inspiring. She barely flinched when I lifted her off the ground while she was hogtied! I miss playing with her like that.
This was a set that really taught me something about my rope topping ability: that I have a way of helping bottoms relax and trust themselves as much as they trust their tops. This is important to me because coming to that realization also made me relax.
Three thousand miles between us but who knows what the future will bring?
There are two galleries from this shoot: a color set and a black & white set.
Photography by Michele Serchuk